Muscle & Fitness - AEROBISIZE
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The Books of Magic - Issues 46 - 50
CBZ | English | 76.1 MB
More info about the series
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Muscle & Fitness - Get It Right : ABS
PDF | 2,77MB

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Crafts Beautiful Magazine - January-March 2007
JPG | Size ~ 47 MB | Pics:51+52+54+supliment | English
Crafts Beautiful is the UK's number 1 crafting magazine, packed with projects by top designers, covering a huge variety of techniques from cardmaking and papercrafts, to beading, rubber stamping, painting, stitching and more. There are also interviews with the biggest names in the business and regular features such as incorporating the latest fashions into your crafting, hints, reviews and advice from crafting star Dawn Bibby, and Craft Academy, which takes you step-by-step through a new technique every month.


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Les Blondes
PDF | French BD | 6 Tomes |114,55 Mo
Qu'est-ce qu'une blonde qui se teint en brune ? Une intelligence artificielle Stéréotypes et fantasmes se mêlent pour aboutir à la conclusion suivante : les hommes préfèrent les blondes ! Belles, séduisantes, naïves, gourdes et maladroites, ils les convoitent, ils les exhibent comme un trophée puis… ils se lassent.

Comme toutes bonnes choses, il ne faut donc pas en abuser… Sauf pour en rire ! Laissez-vous séduire par Les Blondes, un album de gags hilarants. Et qui sait peut-être en riront-elles également. (Enfin, si elles les comprennent…)
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The Futures and Options Trader Magazine issue of september.
PDF | English | 8.62 MB | RS.com
It is a valuable magazine for amateur or semi-professional options traders. It gives information on the market, develop and backtest several top-tier strategies. Very instructive and profitable for beginners as much as for confirmed traders.
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Playboy Sexy Celebrities 2002 (cover Braande Roderick)
RAR (PDF) | English | 9,4 MB | 80 Pages


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The Futures and Options Trader Magazine's issue of August.
PDF | English | 12.9 MB | RS.com
It is a valuable magazine for amateur or semi-professional options traders. It gives information on the market, develop and backtest several top-tier strategies. Very instructive and profitable for beginners as much as for confirmed traders. In these troubled times on stock markets, someone should try for alternative strategies, there is a very intersting topic on hurricanes and lumber futures. Enjoy



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Veja Magazine 12 September 2007
Portuguese | PDF | 88 Pages | 25 Mb
Veja (Portuguese: "Look") is the leading weekly Brazilian news magazine, with a circulation of more than 1,200,000 as of 2005; this is the most circulated magazine in Brazil and the fourth most circulated weekly news magazine in the world. The magazine approaches subjects regarding daily of the Brazilian society as the politics, economy, culture, behavior, world events, entertainment and wars. It treats subjects as technology, ecology and religion with certain regularity. It has recurring sections on cinema, television, practical literature, music and guides on diverse subjects.

It is distributed by Editora Abril. It was founded in September 1968.
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.NET Developer's Journal - 2007 June
PDF | 2.2 MB

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Veja Magazine 05 September 2007 Portuguese
PDF | 87 Pages | 28 Mb]

Veja (Portuguese: "Look") is the leading weekly Brazilian news magazine, with a circulation of more than 1,200,000 as of 2005; this is the most circulated magazine in Brazil and the fourth most circulated weekly news magazine in the world. The magazine approaches subjects regarding daily of the Brazilian society as the politics, economy, culture, behavior, world events, entertainment and wars. It treats subjects as technology, ecology and religion with certain regularity. It has recurring sections on cinema, television, practical literature, music and guides on diverse subjects.
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Tangerine Dream - Sorcerer
1977 | OST | Genre : Electronic | FLAC - Lossless | 214 Mb | RS | Covers & Label incl

“

Tangerine Dream's first movie soundtrack was for Sorcerer, a film directed by William Friedkin. This was a remake of Henri-Georges Clouzot's Le Salaire de la Peur (or Wages of Fear), a classic nail-biter in which four men enlist to drive two truckloads of nitroglycerine across treacherous terrain, including, as can be seen from the cover, a less-than-fortified bridge.Sorcerer would turn out to be Friedkin's first major bomb, though over time the film has garnered more favorable reappraisal. Friedkin was already familiar with another member of the Virgin Records roster, Mike Oldfield, having used the main theme of Tubular Bells for his previous film The Exorcist. Friedkin met Tangerine Dream and gave them script for Sorcerer. They responded by mailing him ninety minutes of music while he was filming, all created without having seen any of the actual footage of the movie. Friedkin remains laudatory: "The film and the score are inseparable." Though released a year after Stratosfear, musically this score falls prior to it, without the upgraded sequencing gear that seems to be present on some of that album's work. Rather, Sorcerer works as a summation of the ideas that had come from the Phaedra-Ricochetsequence. Perfectly complemented by a terrific picture of the trio with glowering stares in half-silhouette (Baumann looks especially evil), the band shows they are not afraid to roll up their sleeves and get a little dirty and textural once again. The "Main Title" makes an incredible start. For my money, it is probably the most compelling music the band had presented for several albums. Opening with an electronic wind and echoing, and continuing onwards with low buzzing and throbbing, this track marks a welcome return to the quality of their earlier, experimental material, particularly Phaedra: a wailing wall of dark sound evoking the wild nature of the terrain. "Rain Forest" gives off a foreboding mood as well, with a pulsing bass riff and a synthesizer that scrapes in upwards movements like the patter of insects. The opening of "Abyss" also builds impressively in atmosphere with backwards and phasing effects, before launching into a hallucinogenic blur of Phaedrian string mellotron. Other tracks lean toward the more repetitive-melodic, accessible approach of the albums that immediately preceded this soundtrack. Examples of these include "Search," the Bolero-like slow march of "Vengeance," the heroic theme of "Grind," and "Betrayal." While many tracks are nothing really new, the only one that sounded lesser to me was the "Impressions of 'Sorcerer'" track, where the band goes for a funkiness that comes off a little stiff, with Froese's guitar soloing, something of which I've never really been taken. Overall a good effort, and the best tracks on here like the opening one and "Abyss" are high grade TD. My guess is fans of the Baumann-era lineup will probably end up having this one sooner or later in any case. review by Joe McGlinchey

�

Tracklist:

1.Main Title � 5:29
2.Search � 2:54
3.The Call � 1:58
4.Creation � 5:00
5.Vengeance � 5:34
6.The Journey � 2:00
7.Grind � 2:49
8.Rain Forest � 2:36
9.Abyss � 7:10
10.The Mountain Road � 1:54
11.Impressions of Sorcerer � 2:53
12.Betrayal (Sorcerer Theme) � 3:41


Edgar Froese -guitars, mellotron, grand piano, Oberheim polyph. synth, ARP Omni string synth, PPG synth,Moog;
Chris Franke -Moog Modular synth, Comp.studio Digital synth, mellotron, ARP synth, Elka string synth, Oberheim sequ.;
Peter Baumann -Projekt Elektronic Modular synth and sequencer, Fender Rhodes, ARP Soloist synth, mellotron;


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DJ MAG 12 - 25 September 2007
Magazine | English | PDF | 132 Pages | RAR | 23,1 MB | ftp2share

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Outsiders Five Of A Kind Metamorpho Aquaman Vol.1 No.1
Oct.2007 | DC Comics | 20.7Mb | PDF | (Rs.com & Megaupload.com & Depositfiles)
Part four of a five issue storyline called "Five of a Kind", this issue's tale is called "Rogue Elements", by G.Willow Wilson and Josh Middleton. It opens with Metamorpho and Aquaman stranded in the middle of a desert, a good old-fashioned how-are-we-gonna-get-outta-this scenario that would've made Bob Haney proud.


Details

They run into a mysterious woman carrying The Orb of Ra, the mystical doodad that had a hand in changing Mason into Metamorpho, all those years ago.

Turns out there's a war brewing over the Orb, and Batman--as always--has a plan to deal with it, and its he who dispatches Metamorpho and Aquaman to deal with it. The whole Aquaman-needs-water thing is handled ingeniously, by having Metamorpho convert some of himself to water, and then use some of the sand to "refill." Cooool.

Turns out the big bad guy behind this power grab for the Orb is none other than Simon Stagg, Rex's ex-father-in-law(I'm behind the times...what happened to Rex's wife?). Metamorpho manages to get between the two sides, get the Orb, and destroy it once and for all, even though it could help him turn back to normal.

The epilogue features our two heroes meeting up with Bats and his new Outsiders, where Bats tears Aquaman a new one:


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The Fourth Horseman Vol.1 No.1
Aug.2007 | Fangoria Comics | 11Mb | PDF | (Rs.com & Megaupload.com & Depositfiles)
by Nodelman, Castillo, & Parvanov A 4-issue prequel to the upcoming animated horror movie from Fangoria Films, T4H tells the graphic and terrifying tale of how the Riders of the Apocalypse meet, rise to power, and bring about the end of the world. If only there was one who could stop them! Cover by John Van Fleet. "

Details
Bear is a powerful Native American warrior, worshipped as a God among his own people. But Bear is not the proud, noble warrior of old western lore, but rather a savage, bloodthirsty, and evil killing machine. He thrives on death, consuming the spirits of those he kills, and kill he does…a lot! The violence is graphic to the extreme as heads are decapitated, tomahawks sheer off the tops of skulls, and arrows pierce through eye sockets in a symphony of blood and gore. We don’t really know what his motivations are unless it is simply to kill as many as he can. However we can deduce that each issue will feature a different member of the biblical Four Horseman of the Apocalypse. Bear is described as the White Rider, the others being Red, Brown, and Black. Castillo’s work is the best yet in any of the Fangoria titles. He’s an amazing talent. Grade A-

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DJ MAG [PDF] [29 August - 11 September 2007]
Magazine | PDF | 132 Pages | RAR | English | 28 MB | RS.com

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Le Monde 12 Septembre 2007
PDF | French | 5,76 MB

Le Monde 12 Septembre 2007 (RS)

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PC Welt Ausgabe 10 - 2007
PDF | RAR | Deutsch | 10,30 MB | Rapidshare.com

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Tangerine Dream - Encore Live
1977 | Live | Genre : Electronic | FLAC - Lossless | 374 Mb | RS | Covers & Label incl
Maybe the best album of them...

“

Tangerine Dream's second live album, this time a double, would also be the final album of the Froese-Franke-Baumann line-up. It was recorded during the band's North American tour of March-April 1977. Unlike Ricochet, which though technically a 'live' album had basically no audience presence, on Encore the audience makes their presence known at certain points, lending the recording proper live ambience. I think this album probably will hold its greatest appeal for those who picked it out of its chronological context with the other 70s albums. If you did track the band's output chronologically, chances are that by the time you reach Encore, you may find it to be redundant with what came before (though on the other hand, perhaps you might find it to be this line-up's grand summary statement of that style). The main idea is yet again 'C minor with modal soloing.' Sticking to this key (or A and E, two other alternatives), according to Edgar Froese, was a requirement of their equipment at the time. However, for anyone who has Rubycon, Ricochet, Stratosfear, and Sorcerer in their collection, this sounds pretty much well-exhausted by this point. To this foundation, the band provides different add-ons and variations (e.g., most of the tracks open up with spacious prelude improvisations) to provide some color. "Cherokee Lane" is probably the most conservative of the four tracks in terms of duplicating previous work, and quite ironically given what I just said above, it is the piece on here I like the most. As the band goes past the opening abstractions of the prelude and starts gearing up with the sequencers and string mellotron, and once more as these slowly build from flame to fire, the audience shrieks with delight, reminding us what a great live show these guys must have put on back in the 70s. "Monolight" provides greater departure. It begins with classical grand piano gradually given auxiliary support by other keys, which then dissolves into a clattering of sounds and effects. After this enigmatic prelude, the track formally begins with a brief, classically styled vignette that represents the most thoroughly composed moment on the album, weaving through major and minor keys with the main melody played on Moog. After this section concludes, the remainder of the track becomes business as usual, with nothing of great interest occurring, and eventually ends where it began reprising the prelude. "Coldwater Canyon" is for me the album's low point. Generally speaking, the track doesn't really go anywhere, and on top of this, hefty portions of it are given to showcasing tedious guitar soloing from Froese. I've never quite been very impressed with his guitar work as the focal point of interest; it certainly does not justify the time it eats up here. The band concludes with "Desert Dream," the only track to fully depart from the C-imposed sequencing, moving through a lonely, 'Western in space' theme to a funereal march on a trumpet-synth with accompanying Fender Rhodes and mellotron. It is probably the most original work on the album though doesn't entirely gel. Towards the end, just as the band seems set to strike up with another block of music, this curiously fades away and the audience erupts into concluding cheers. In retrospect, a strange swan song for a legendary line-up. Following Encore, Peter Baumann left the band to pursue a solo career, though interestingly he would re-unite with Tangerine Dream in a different context about a decade later, as the founder of the new age Private Records label, signing his former band for a few years. He eventually sold the Private label to BMG Records in 1994 and appears to have since retired from the music biz altogether. review by Joe McGlinchey

�

Tracklist:

1. Cherokee Lane � 16:23
2. Monolight � 19:36
3. Coldwater Canyon � 17:39
4. Desert Dream � 17:36

Edgar Froese -guitars, twin keyboard mellotron Mark V, grand piano, Oberheim Four Voice polyphonic synth, ARP Omnistring, ARP
Digital Soloist, P.P.G. synth, Moog Modular, Projekt Electronic Time Control System;
Chris Franke -Moog Modular, Projekt electronic sequencer, Computerstudio digital sequencer, Mellotron M. 400, ARP Soloist,
Elka String, Oberheim sequencer, Oberheim Eight Voice polyphonic synth, electronic percussion;
Peter Baumann -Projekt Electronic Modular synth, Projekt Electronic sequencer, Fender Rhodes, ARP Soloist, Mellotron M. 400,
EMS Vocoder with AKG Micro C414, Elka String


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Oscar Peterson: Skol [1990]
Jazz | PT 40:21 | FLAC 305 Mb | MP3 320k 102 Mb | Covers

Tracklist:

1. Nuages
2. How about you
3. Someone to watch over me
4. Makin' whoopee
5. That's all
6. Skol blues

Oscar Peterson piano
Joe Pass Guitar
Stephane Grappelli Violin
Niels-Henning Ørsted Pedersen Bass
Mickey Roker Drums

Original rec 1979


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The Pro
English | Full Colored | CBR | 25.2 Mb | 56 pages
Story by Garth Ennis & Art by Amanda Conner

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Playboy's Sexy 100 - 2003
PDF | English | 36.10 Mb

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Playboy's Sexy 100 - 2004
PDF | English | 16.90 Mb

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Lofty to the Rescue | Dizzy's Birdwatch | Wallpaper Wendy
MPEG-1 DAT | 30:00 | 320 MB | 1500 kbps | 352 x 288
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