Discussing her theory of incipient movement in terms of dance and relational movement, Manning describes choreographic practices that work to develop with a body in movement rather than simply stabilizing that body into patterns of displacement. She examines the movement-images of Leni Riefenstahl, Étienne-Jules Marey, and Norman McLaren (drawing on Bergson's idea of duration), and explores the dot-paintings of contemporary Australian Aboriginal artists. Turning to language, Manning proposes a theory of prearticulation claiming that language's affective force depends on a concept of thought in motion.
Relationscapes is a radically empirical book, working directly out of examples and delving into the complexity of relations these examples suggest. It takes a "Whiteheadian perspective," recognizing Whitehead's importance and his influence on process philosophers of the late twentieth century—Deleuze and Guattari in particular. Relationscapes is truly a transdisciplinary book, not aiming to cover the ground of a particular discipline but making clear how the specificity of a particular inquiry can alter key questions that emerge in the interstices between disciplines. It will be of special interest to scholars in new media, philosophy, dance studies, film theory, and art history.
Technologies of Lived Abstraction series
About the Author
Erin Manning holds a University Research Chair in the Faculty of Fine Arts at Concordia University in Montreal. She is director of the Sense Lab and the author of Politics of Touch: Sense, Movement, Sovereignty and Ephemeral Territories: Representing Nation, Home, and Identity in Canada.