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STAR WARS GALAXIES:
AN EMPIRE DIVIDED!

It is a time of great turmoil. The oppressive Empire is close to seizing complete control of the galaxy. The ragtag guerrilla army of the Rebel Alliance fights on, striking wherever it can, but now something has come to light that could spell certain doom. Hidden in the Jedi ruins of Dantooine is a Holocron containing a list of high-level Rebel sympathizers. If that list were to fall into the hands of Darth Vader, the Rebel Alliance would lose its most valued support—and possibly the war itself.

As an Imperial bio-engineer who frequently visits other worlds, Dusque Mistflier is the perfect cover for a Rebel who needs to travel far and wide without arousing suspicion. And so she agrees to help Rebel spy Finn Darktrin in his quest to recover the crucial Holocron. Despite help from Han, Luke, and Leia, the mission is fraught with peril. And as their journey takes them into the fiery belly of the beast that is galactic civil war, Dusque and Finn will learn that the hardest part of all is figuring out whose side you’re on—and how far you’re willing to go to win. . . .

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Calvin and Hobbes is a comic strip written and illustrated by Bill Watterson, following the humorous antics of Calvin, an imaginative six-year old boy, and Hobbes, his energetic and sardonic—albeit stuffed—tiger. (The pair are named after John Calvin, a 16th century French Reformation theologian, and Thomas Hobbes, a 17th century English political philosopher.

The strip was syndicated daily from November 18, 1985 to December 31, 1995. At its height, Calvin and Hobbes was carried by over 2,400 newspapers worldwide. To date, more than 30 million copies of the 18 Calvin and Hobbes books have been printed, and popular culture is still replete with references to the strip.

The strip is vaguely set in the contemporary Midwestern United States, on the outskirts of suburbia, a location probably inspired by Watterson's home town of Chagrin Falls, Ohio. Calvin and Hobbes appear in most of the strips, while very few focus on other members of Calvin's family.

The broad themes of the strip deal with Calvin's flights of fantasy, his friendship with Hobbes, his misadventures, his views on a diverse range of political and cultural issues and his relationships and interactions with his parents, classmates, educators, and other members of society. The dual nature of Hobbes is also a recurring motif. Calvin sees Hobbes one way (alive), while other characters see him as something else (a stuffed animal).

Even though the series does not mention specific political figures like political strips such as Garry Trudeau's Doonesbury, it does examine broad issues like environmentalism and the flaws of opinion polls. A number of cartoons feature Calvin announcing the results of "polls of household six-year-olds" to his father, treating his father's position as though it were an elected political office.

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Ulysses has been the subject of controversy since copies of the first English edition were burned by the New York Post Office authorities. Today critical interest centres on the authority of the text, and this edition, complete with an invaluable Introduction, notes, and appendices, republishes for the first time, without interference, the original 1922 text.

Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?"

The 1934 text, as corrected and reset in 1961. Ulysses is one of the most influential novels of the twentieth century. It was not easy to find a publisher in America willing to take it on, and when Jane Jeap and Margaret Anderson started printing extracts from the book their literary magazine The Little Review in 1918, they were arrested and charged with publishing obscenity. They were fined $100, and even The New York Times expressed satisfaction with their conviction. Ulysses was not published in book form until 1922, when another American woman, Sylvia Beach, published it in Paris for her Shakespeare & Company. Ulysses was not available legally in any English-speaking country until 1934, when Random House successfully defended Joyce against obscenity charges and published it in the Modern Library. This edition follows the complete and unabridged text as corrected and reset in 1961. Judge John Woolsey's decision lifting the ban against Ulysses is reprinted, along with a letter from Joyce to Bennett Cerf, the publisher of Random House, and the original foreword to the book by Morris L. Ernst, who defended Ulysses during the trial.

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Product Details
Book Publisher: Oxford University Press, USA (15 July, 2002)
ISBN: 0195148207
Book author: Richard Abrams
Amazon Rating: 4.0

Book Description:
In this fully-revised fourth edition of what has long been the standard textbook for the field, Dr. Richard Abrams once again demonstrates his unique ability to analyze and present a wealth of new(and often technical) material in a lucid, compelling, and highly readable fashion. Hundreds of new clinical studies called from the more than 1500 published since the third edition appeared have been analyzed in depth and incorporated throughout the book. An important new chapter has been added on Transcranial Magnetic Stimulation(TMS) therapy, a treatment for depression that is widely-used in Europe and expected to become available soon for clinical use in the United States. Dr. Abrams exposes the scientific flaws in several widely-cited reports, while focusing on the few carefully-controlled studies that provide solid support for the results claimed. The sections on the electrical stimulus, seizing introduction, seizure quality, and treatment electrode placement have been completely revised and updated with new information on those clinical and technical issues that are presently of greatest concern to practitioners and researchers. A comprehensive critical assessment of the nature of the seizure threshold and the validity of the stimulus titration method for ECT dosing is presented for the first time, with conclusions and recommendations that many will find surprising. The continued controversy over the relative efficacies of unilateral and bitemporal ECT is revisited in light of the latest dosing strategies and treatment outcomes reported, and of the latest results obtained with bifrontal ECT. The potential clinical and theoretical advantages of the recently-rediscovered technique of ultrabrief pulse therapy are explained in detail. The chapter on the memory and cognitive consequences of ECT has been expanded to focus on the subjective memory effects of treatment, with new analysis of the possible biological basis for the improvement in subjective memory so often reported. Recently-published claims of persistent or permanent memory effects of ECT are refuted in detail. In full accordance with the American Psychiatric Association’s new guidelines for the practice of ECT, Dr. Abrams’ book remains the essential practical guide and reference work for all those who prescribe, perform, or assist with ECT, or are interested in learning more about the subject. Book Description & Image - Powered By

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Dean Koontz Icebound Audio CD Unabridged
Random House Audio
ISBN: 0739341413
MP3 64kbps
2007

 

The arctic night is endless.
The fear is numbing. Screams freeze in the throat.
Death arrives in shades of white.
Cold-blooded murder seems right at home....the chill of the grave.

 

Review:
Enjoyable Audiobook (wtfk's)

I'm surprised it took me so long to get around to trying Koontz.
I've been a Stephen King fan for years but I was never really tempted to try Koontz.
I'm so happy that I finally got around to picking up a few of his books because I can't get enough of him now.

I've really been enjoying listening to his books on CD and MP3. I use them as my "bedtime stories". It's a great way to squeeze in extra books and they're great entertainment.

I'm picking up every single one that I can find so I'm getting my Koontz education fairly quickly.
Icebound was really well done with good narration.
I never thought I'd enjoy listening to books on tape as much as I do.
If you haven't tried them, I'd encourage you to pick up a few.
A good narrator makes all the difference!

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